Mind Into Matter: New Digital Sculpture
A Boston Cyberarts Festival Exhibition co-Curated by George Fifield and Francine Koslow Miller at The Computer Museum from May 1-15, 1999.
Exhibition ARtists
Tim Anderson
Jim Bredt
Dan Collins
Bill Jones
Michael LaForte
Christian Lavigne
Denise Marika
Michael Rees
In addition, the show contains some industrial rapid prototyping examples from
Hewlett Packard Corporation, Westford, MA
Z Corporation, Somerville, MA
Exhibition Checklist
Hewlett Packard Corporation, Westford, MA Samples for Industry
1. Prototype Front Bezel from Communications Test Set, epoxy resin stereolithography painted gray, 8 1/2" x 15 1/4" x 2 1/4", Designer: Rene Miner
2. Prototype Piece Part from Portable Test Set, epoxy resin stereolithography, 2" x 9" x 3/4", Designer: Rene Miner
3. Prototype Piece Part from Portable Test Set, epoxy resin stereolithography painted gray, 4" x 2 1/2" x 3/8", Designer: Rene Miner
4. Prototype Speaker Grill from Portable Test Set, epoxy resin stereolithography, 1/2" x 1" x 1/16", Designer: Rene Miner
Z Corporation, Somerville, MA Samples for Industry
5. Prototype of Monitor Stand, Zcorp Zprint, white starch based powder and water solution infiltrated with resin, 6" x 4" x 6"
6. Yoke Parts, Zcorp Zprint, pink starch based powder and water solution infiltrated with resin, 3" x 4" x 3"
7. Motor Covering, Zcorp Zprint, lime green starch based powder and water solution infiltrated with resin, 1" x 3" x 5"
8. Motor Covering, Zcorp Z print, purple starch based powder and water solution infiltrated with resin, 2" x 3" x 8"
9. Gear Part, Z corp Zprint, yellow starch based powder and water solution, 2" x 2 1/2" x 4"
10. Engine Block, Z corp Z print, white starch based powder and water solution infiltrated with wax, 3" x 4" x 5"
11. Tubes Part for Woodward Governor, Zcorp Z print, green starch based powder and water solution infiltrated with resin, 6" x 7" x 8"
12. Human Skull Model, Zcorp, Zprint, white starch-based powder and water solution infiltrated with resin, ca. 6" x 12" x 4"
13. Human Barrel of Monkeys, 1999, Zcorp Zprint, 12" x 12" x 4", with some data processing by Phil Dench
14. Self Portrait Cremation Urn Bookend, 1994-1999, Zcorp Zprint, 4" x 5" x 6", with some engineering by Dr. Daniel Baca
15. 5jimthing, 1999, Zcorp Z print, 6 1/2" x 9" x 9", with some data processing by Phil Dench
16. Jimatlas, 1999, Zcorp Z print, 17" x 8" x 10"
17. Forgetting Ourselves, 1995-1999, bronze, 12" x 9" x 9’ (each head 4" x 3" x 3")
18. The Cult of Touch, 1999, RP hand cut by CNC (computer numerically controlled) milling in Renshape 450, microscope white polyester thermo plastic, 1 1/2" x 9" x 3/4"
19. Pointer, 1999, RP sculpture cut by CNC (computer numerically controlled) milling in Renshape 450, 1 1/2" x 9" x 1/2" Bill Jones
20. Untitled, 1998 , Zcorp Zprint, painted red, 6" x 8"x 2"
21. Untitled, 1998, Photographic print, 30" x 40" 22. Untitled, 1998, CAD drawing, 8" x 10"
23. Dixie Edwards (Bell), 1998, stereolithography, 7" x 3" x 1 1/2",
24. American Radiator (Envelope), stereolithography, 1998, 33" x 10" x 8", stereolothography by Plynetics Express Company, Auburn Hills, Michigan
25. Inverse Kinematics (Fire Hose), 1999, stereolithography, 26 x 20" x 7", stereolithography by 3Dimensional Engineering Company, Pompano Beach, Florida.
26. Regeneration du Monde, 1996-1998, part of triptych, stereolithography, honey-colored resin, 5 1/16" x 6 7/8", sterolithography by CIBA-GEIGY US Lab and Ecole Centrale CREATE Lab
27. Regeneration du Monde, 1998-1999, triptych ,aluminum cast, 15 3/4" x 20 1/2", aluminum cast from Chateauroux-Fonderies.
28. in terra, 1999, three acrylic tubes each 36 1/2" x 6" , three Zcorp Zprint figures each 12", and limestone, courtesy Howard Yezerski Gallery.
29. Ajna 3, Amber, 1998, STL Stereolithography, laser cured epoxy resin, 12" x 7" x10", private collection, courtesy of Central Fine Arts
30. Ajna 3, Blue, 1998, 3D print, 11" x 7" x 10", private collection, courtesy of Central Fine Arts
31. Ajna 3, 1998, Fuji Crystal Archive, type C print on Sintra, 18" x 18", private collection, courtesy of Central Fine Arts
32. Ajna 3, 1998, X ray wire frame, Fuji Crystal Archive type C print on Sintra, 11 3/4" x 10 3/4", courtesy Central Fine Arts.